Having explained my latest approach to basing I should say that my wargaming choices are very modest. In fact the whole plastic figure thing was aimed at “keep it simple”. And that goes for painting and finishing – simple acrylics mainly block painting and gloss varnish. my figures are intended to be handled and mostly viewed at 3 feet or 1 metre away.
Even my Wars of the Roses 28mm figures have received such treatment although I did some flesh/clothing washes here and there. And they felt a bit questionable – “was the effort worth it?” well thats more about my painting skills/impatience I think and not the technique being worthwhile.
And when it comes to plastic I seem to have moved to the point where a bad Plastic Soldier Review will encourage me to buy – maybe a paint job can rescue a poor figure. The question is can my painting rescue the figure or actually make it worse? Beauty as they say is in the eye of the beholder.
And I have found to my eye that a base I like significantly enhances my figures – when looked at on the table at about 3 feet of course.
So actually close ups on screen are probably not that helpful in some cases. Anyway here goes.
Essentially I based the figures on 80mm x 60mm laser cut MDF from pendraken miniatures, daubed on pva glue, emersed in a tray of budgie grit, shaken and set aside to dry. A day later, inverted to shake off the last loose material, it was out with the paints.
Then base paint. Now this base is the result of several attempts to get the right colour. I could say at this point I spent hours rerunning the La Vuelta vids poring over the helicopter shots for the right ground look but I would of course be fibbing or maybe not………
I found I could get some wacky colour outcomes and actually the ones I thought would be too bright I decided would look better for a mediteranean location.
I discovered an old revell acrylic pot of “rust” was the best base colour (need to source an alternative as I don’t know anyone who stocks revell acrylics now given the dominance of vallejo and citadel).
And the ochre and then either ivory or white highlight came from B&Q and Johnstones sample pots. And then some final decoration.
I finished the base off with some greenery taking a cue from La Vuelta again and using bright green foliage. Lots of railway model suppliers provide a range of foliage plants.
And that wraps it up for now. I think the extra steps taken here are worthwhile and enhance the figures. I plan to do all my mediterranean medievals this way. Next problem is getting the table top to match.
Hope to see you soon.